Abstract division: Color pigments – Epoxy – Stones – Colored pastes – Oil colors – Gold leaf – Relief – Resins

Named after the geographical divisions and environmental nature of different places, and influenced by nature’s effects, varying weather conditions, and other factors resulting from human activities, causing changes and diversity. The variations appeared in size, color, and diversified topography, resembling a map of continents, defying boundaries and terrains. This manifested in the surface prominence and texture variations created by liquid resins with soft pastes and stones, providing diversity in sculptural values.

The researcher sought to reach the underlying essence that unites nature and humanity in a symbolic fabric, preserving the color sensitivity represented in the purity of color simplicity, boldly choosing it. Additionally, she considered precision in execution as a means to liberate from traditional vision. Here, the added materials play an effective role, blending and composing to give rise to a new language, adding details.

The researcher attempted to shed light on nature with its familiar simple elements in the world of imagination, evolving them through processes of simplification and reduction, reshaping color using layers of transparent epoxy and delicate gold touches that emphasize the meaning. This emphasizes the reality that every artistic work addresses both vision and insight.